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The Bad Batch, created by Jennifer Corbett and Brad Rau, is solidly anchored in the Filoniverse with cameos from characters like Cut and Suu from The Clone Wars, Hera Syndulla and Chopper from Rebels, and Captain Rex and Cham Syndulla who were in both of those series. The Filoniverse refers to Filoni's original characters and storylines that gained popularity on their own and have cross-connected the shows he's been involved with. There's another dimension to my love for this show that I call the "Filoniverse factor." Dave Filoni created both The Clone Wars and Rebels, and he's been side-by-side with Jon Favreau on The Mandalorian, too. And thanks to Michelle's performance, I feel like I'm fighting with the Batch right alongside Omega! The writing for Season 1 doesn't leave Omega in the passenger seat as a perspective character she's an active part of driving the story forward. Every emotional state is distinct with lots of great nuance in Michelle's delivery. Check out this Entertainment Tonight interview with Dee talking about his work in The Bad Batch :Ĭomplementing Dee was Michelle Ang 's performance as Omega, which highlights the character's wide range of experiences throughout the season. As I watched, I was constantly amazed at Dee's performances, and I'd love to see him get some awards for his work on Season 1.
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Every character he voices has a wholly unique sound, personality, and emotional profile: the entire Batch, Captain Rex, Gregor, and every other clone trooper, plus a few additional characters. Dee has taken his work from The Clone Wars to the next level. I trusted that Dee Bradley Baker would be up to the enormous task he had in the recording booth, and my trust was rewarded. That writing comes to life thanks to some great performances. Crosshair, Hunter, and Omega each evolved a great deal by the season finale.
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Former enemies are now allies in the fight to remain free from tyranny, and former allies are now showing them the business ends of their blasters. Season 1 forced them to adapt to a new world where the Republic and the humanitarian values the clones fought for have been absorbed by a cold, oppressive Empire. Our main characters, the Bad Batch itself, evolve into more than the stereotypes I introduced in my previous article.
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The basis for this amazing experience is in its writing: the stories and characters were engaging, and I was invested in each of them from the start. One musical moment that stands out for me is his blending the unique sound of Fennec Shand's theme into the action score during her confrontation with fellow bounty hunter Cad Bane. As he did in Star Wars: The Clone Wars and Star Wars: Rebels, Kiner finds just the right melodies and impact for each moment in The Bad Batch. Also, the sound design is a perfect match to the visual experience, including the use of the ear ringing effect after an explosion and simulating even the most subtle position changes of characters in the frame.Ĭompleting the show is Kevin Kiner 's engaging score, bringing the power and emotion we've come to expect in a Star Wars production. The action itself is worthy of the Star Wars brand and on par with an action-packed Marvel film. The colors and lighting are stunning, reproducing masterfully crafted live-action cinematography in an animated format. Now that Season 1 has come to a close, and knowing we have a Season 2 ahead, let's take that plunge into the spoiler-rich Kaminoan depths!įirst thing's first: this show is an epic visual and audio experience in every episode.
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Since my article kicking off the season, I've looked forward to this time to reflect on the series so far. It's been a crazy summer of hot days and career changes for me, but Star Wars: The Bad Batch has been a consistent part of each weekend.